frans smit records, hyperobjects and authenticity We are immersed in digital information. Every bit of this hyperobject affects us. Helping to maintain the strong authenticity of records that are part of it, should be a part of our ethical obligations. Nobody can express the importance of this in a better way than Jorge Luis Borges (2015) did in his poem The Plot, that ends with the lines: "Of all those lost things there is not one that does not throw a long shadow and that does not determine what you do today or what you will do tomorrow".10 archives in liquid times Literature Acker, Amelia (2016). When is a record; a research framework for locating electronic records in infrastructure. In A.J. Gilliland, S. McKemmish, A.J. Lau (eds.), Research in the Archival Multiverse (pp. 288-323). Clayton, VIC: Monash University Publishing. http://dx.doi. org/10.26530/OAPEN_628143 Ankersmit, Frans (1993). De Historische Ervaring. Groningen: Historische Uitgeverij. Benjamin, Walter (2009). The work of art in the age of mechanical reproduction. In One-Way Street and Other Writings (transl. J.A. Underwood, pp. 228-259). London: Penguin Classics. Bhatti, Anil (2012). Die Abwendung von der Authentizitat, postkoloniale Sichtweisen in neueren Romanen. In Michael Rössner, Heidemarie Uhl (eds.), Renaissance der Authentizitat? Über die neue Sehnsucht nach dem Ursprünglichen (pp. 43-62). Bielefeld: Transcript. Borges, Jorge Luis (2015). Alle Gedichten (transl. Into Dutch Barber van der Pol en Maarten Steenmeijer). Amsterdam: De Bezige Bij. Bos, René ten (2015). Bureaucratie is een inktvis. Amsterdam: Boom uitgevers. Duranti, L. (1995). Reliability and Authenticity: The concepts and their implications. Archivaria, 39, 5-10. Falser, Michael S. (2012). Von der Charta von Venedig 1964 zum NARA Document on Authenticity 1994. In Michael Rössner, Heidemarie Uhl (eds.), Renaissance der Authentizitat Über die neue Sehnsucht nach dem Ursprünglichen (pp. 63-88). Bielefeld: Transcript. Faulkhead, Shannon, and Kirsten Thorpe (2016). Dedication: Archives and indigenous communities. In A.J. Gilliland, S. McKemmish, A.J. Lau (eds.), Research in the Archival Multiverse (pp. 2-15). Clayton, VIC: Monash University Publishing. http://dx.doi. org/10.26530/OAPEN_628143 Floridi, L. (2010). Information, A Very Short Introduction. Oxford: Oxford University Press. Floridi, L. (2015). A Proxy Culture. Journal for Philosophy and Technology, 28(4), 487-490. Flusser, Vilem (2014). In het universum van de technische beelden (transl. Into Dutch M. Geerards). Utrecht: Uitgeverij IJzer. Gilmore, James H., B. Joseph Pine II (2007). Authenticity. What Consumers really want. Boston: Harvard Business Review Press. Knaller, Susanne (2007). Ein Wort aus der Fremde, Geschichte und Theorie des Begriffs Authentizitat. Heidelberg: Winter. McKemmish, Sue, Anne Gilliland (2013). Archival and Recordkeeping Research; Past, present and future. In Graeme Johanson, Kirsty Williamson (eds.), Methods: Information, Systems and Contexts (pp. 79 -112). Prahran, VIC: Tilde Publishing and Distribution. MacNeil, Heather (2016). Contemporary Archival Diplomatics as a Method of Inquiry. In A.J. Gilliland, S. McKemmish, A.J. Lau (eds.), Research in the Archival Multiverse (pp. 724 760). Clayton, VIC: Monash University Publishing. http://dx.doi.org/10.26530/ OAPEN_628143 10 "Van die verloren dingen is er geen dat niet op dit moment een lange schaduw werpt en niet bepaalt wat je vandaag doet of wat je morgen zult doen." (Jorge Luis Borges-De Plot in: Alle Gedichten, pag, 578. De Bezige Bij, 2015). English translation by the author of this essay. 264 Morton, Timothy (2012). What do Hyperobjects sayRetrieved from http://ecologywithoutnature.blogspot.nl/2012/12/what-does-hyperobjects-say.html Morton, Timothy (2013). Hyperobjects, Philosophy and Ecology after the End of the World. Minneapolis: University of Minnesota Press. Park, Eun (2001). Understanding "Authenticity" in Records and Information management: Analysing Practioner Constructs. The American Archivist, 63, 72-91 Saaze, Vivian van (2013). Installation Art and The Museum, presentation and conservation of changing artworks. Amsterdam: Amsterdam University Press. Retrieved from www.oapen.org/download?type=document&docid=449202 Sloterdijk, Peter (2016). Was geschah im 20. Jahrhundert? Berlin: Suhrkamp. Störig, Hans Joachim (2010). Geschiedenis van de filosofie (transl. into Dutch P. Brommer). Houten: Spectrum. Taylor, Charles (2007). A Secular Age. Cambridge, MA: Belknap Press of Harvard University Press. Trilling, Lionel (1972). Sincerity and Authenticity. Cambridge, MA: Harvard University Press. Upward, Frank (1996). Structuring the Records Continuum - Part One: Postcustodial principles and properties. Archives Manuscripts, 24(2), 268-285. Weijts, Christiaan (2016). Groene Amsterdammer, 34. Yeo, G. (2008). Concepts of Record(2), Prototypes and boundary objects. The American Archivist, 71, 118-143. 265

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