Biographies Geert-Jan van Bussel has studied medieval history, business administration, business informatics and archival studies. He is a certified archivist. He is assistant professor at HvA University of Applied Sciences Amsterdam. From 2012-2016, he was professor Digital Archiving and Compliance at that university. He is, with Van Bussel Document Services, an independent consultant, auditor and researcher. He is visiting lecturer at several universities in the Netherlands and Europe. He was president of the Special Commission for Archives, a commission of the Council of Culture, the most important advisory body on culture for the Dutch government. He is a (keynote) speaker on many seminars and conferences, mostly on the effects and influence of information processing and information management on people's work. He published extensively on digital archiving, accountability, and Enterprise Information Management. In 2001, he has been awarded the prestigious NMA Award, an award of excellence from the Dutch Association for Information Management to acknowledge his merits for the Document-, Workflow- and Record Management market. Wolfgang Ernst is Full Professor for Media Theories in the Institute for Musicology and Media Studies at Humboldt University in Berlin since 2003. Having been academically trained as a historian (PhD) and classicist (Latin philology and Classical Archaeology) with an ongoing interest in cultural tempor(e)alities, he grew into the emergent technology-oriented "German school" of media studies and His academic focus has been on archival theory and museology, before attending to media materialities. His current research covers media archaeology as method, theory of technical storage, technologies of cultural transmission, micro-temporal media aesthetics and their chronopoetic potentials, and sound analysis ("sonicity") from a media- epistemological point of view. Books in English: Digital Memory and the Archive (2013); Stirring in the Archives. Order from Disorder Stirring in the Archives (2015); Chronopoetics. The temporal being and operativity of technological media (2016); Sonic Time Machines. Explicit Sound, Sirenic Voices and Implicit Sonicity in Terms of Media Knowledge, Amsterdam (2016) Luciano Floridi is Professor of Philosophy and Ethics of Information at the University of Oxford, where he is also the Director of the Digital Ethics Lab of the Oxford Internet Institute. Still in Oxford, he is Distinguished Research Fellow of the Uehiro Centre for Practical Ethics of the Faculty of Philosophy, and Research Associate and Fellow in Information Policy of the Department of Computer Science. Outside Oxford, he is Faculty Fellow of the Alan Turing Institute (the national institute for data science) and Chair of its Data Ethics Group; and Adjunct Professor ("Distinguished Scholar in Residence") of the Department of Economics, American University, Washington D.C. His research concerns primarily Information and Computer Ethics (aka Digital Ethics), the Philosophy of Information, and the Philosophy of Technology. Other research interests include Epistemology, Philosophy of Logic, and the History and Philosophy of Scepticism. He has published over a 150 papers in these areas, in many anthologies and peer-reviewed journals. His works have been translated into many languages, including Arabic, Chinese, Dutch, French, German, Greek, Hungarian, Italian, Japanese, Lithuanian, Persian, Polish, Portuguese, Russian, and Spanish. His lifetime project is a tetralogy (not his term) on the foundation of the philosophy of information, called Principia Philosophiae Informationis. 323

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Jaarboeken Stichting Archiefpublicaties | 2017 | | pagina 163